Southbank Centre, London
Two concerts, including the UK premiere of Magnus Lindberg’s fiercely challenging Viola Concerto, showcased the versatility and communicative skills of Lawrence Power
The viola player
Lawrence Power
is a resident artist at the Southbank Centre this season. As well as playing concertos and chamber music, he’s exploring less conventional performances, and the first of those,
Lawrence Power’s Lock-in
, was a mix of video, live performances and spontaneous poetry readings, in which Power included music that he had commissioned during the Covid lockdowns.
Some of those miniatures were screened in the performances that Power had streamed in 2020.
Esa-Pekka Salonen’s Objets Trouvés
runs through a collection of string tropes before alighting on a fresh, original idea;
Garth Knox’s Quartet for One
imagines a deconstructed string quartet and has the viola play the four instrumental parts in succession, while
Thomas Adès’
tiny
Berceuse for viola and piano
is extracted from his opera The Exterminating Angel. Two more substantial new pieces were performed live. Fazil Say’s Sonata for solo viola is a two-movement memorial to the Turkish viola player Roşen Güneş, its first movement a set of variations on a insistent keening theme, while Héloise Werner’s Mixed Phrases takes lines from a poem by Rimbaud, which a soprano (Werner herself) atomises into syllables and isolated phonemes as the viola urges her on, creating a witty to-and-fro.
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